IL MATRIMONIO SEGRETO
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Opera (e)Studio reaches its eighth edition fully consolidated. Each time there are more singers who show their interest in joining this initiative. The artists selected for this production will remain almost two months on the island of Tenerife, where he carried out an intense work of musical aspects and scenic, to put in place a title of the opera within the opera season of the Auditorio de Tenerife and that this edition will be Il matrimonio segreto by Domenico Cimarosa, a co-production of Ópera de Tenerife, Teatro Regio di Parma and Teatro Massimo di Palermo.
Dramma giocoso in two acts, with music by composer Domenico Cimarosa and Italian libretto by Giovanni Bertati, based on the play the Clandestine Marriage by George Colman the Elder and David Garrick. The first performance took place on 7 February 1792 at the Hofburgtheater in Vienna in the presence of the emperor Leopold II, who liked it so much, that after giving dinner to the whole company, he asked for an encore full of the same. One of the operas most interesting and famous of Cimarosa, clear example of opera buffa of the S. XVIII, contains a plot full of impossible situations, costumes and happy ending, where a wealthy merchant willing to ascend socially intends to marry his two daughters with men of the aristocracy. What you do not know the merchant is that one of his daughters has married in secret with one of his employees. All of the imminent conflict and mess is garnished with a music particularly original, that stylistically sits between Mozart, Rossini and Donizetti.
Participants
Once you have completed the process of auditions, we can announce the 12 singers selected to be part of the edition of the 2020/21 Opera (e)Studio “Il matrimonio segreto”. The next 28th of January will be incorporated to Opera (e)Studio and culminating with the functions of Il matrimonio segreto, the days 18,19, 20 and 21 of march 2021.
Giulia Mazzola / Carolina
Soprano
Born in Palermo, Italy, in 1996. He was part of the children’s choir of the Conservatorio Vincenzo Bellini in Palermo. In 2010 he began his secondary studies at the music institute Regina Margherita in the city. He has studied with Francesca Martorana and continues to be formed with Cinzia Forte.
His repertoire includes the roles of Lisa in La sonnambula, Bellini; Adina in L’elisir d’amoreby Donizetti; Clorinda in La Cenerentola, Rossini; Oscar in un ballo in maschera, Verdi; Regina della Notte in Die Zauberflöte, Mozart; Micaela in Carmen, by Bizet; Gilda in Rigoletto, Verdi. He has worked under the baton of masters like F. Cherstich, C. Donadio, A. Maniaci, F. Cherstich, L. Campellone and S. Monti, at the Teatro dell’opera di Roma, Massimo, Palermo; Nuovo Giancarlo Menotti, Spoleto; Argentina, Rome, San Carlo, Naples; Sociale, Rovigo, and Mario del Monaco, Treviso.
Among the awards are a highlight in 2019 the prize at the 70th Contest AsLiCo for Young Opera Singers and the first prize at the 33rd edition of the International Competition Francesco Paolo Neglia. In 2018, the critics award and the third-place ex-aequo in the 20th edition of the International Competition for opera singers Città di Alcamo; first place overall at the 21st edition of the International Prize for Singing Opera Valerio Gentile, the first prize at the VI International Competition of Singing Opera Fausto Ricci, among others.
Presence on the Opera de Tenerife:
- Carolina in. Il matrimonio segreto (Cimarosa). Debut.
Veronika Seghers / Carolina
Soprano
Born in Munich, Germany, in 1998. He studied piano from age 5 and in 2009 she started to study singing with Franziska Stürz. From 2009 to 2013 she attends acting classes at the Russian school Club Gorod and kids5kids world foundation. From 2014 to 2016 attending the University of Music Nuremberg and is awarded as the best young student by the professor Kelling. Since 2016 attending the University of Music and performing Arts Vienna as a young soprano. He has studied with teachers KS Edith Lienbacher and Bernhard Adler and is currently studying with Giacomo Prestia in the Accademia del Ridotto in Stradella (PV).
Has won first prize in the competition Jugend musiziert (2011); the international competition Karel-Kunc in the section of duo (2016) and the first Youth Prize in the International Singing Contest of Immling (2019).
He has performed as a soloist and chorister in various concerts and participates regularly in concerts in the University of Music and Dramatic Arts in Vienna, at the Theater of Schönbrunn. In 2018, participates in the Gala Lyric Theatre di Stradella in the framework of the Festival of the Ridotto. Takes over the role of Barbarina in Le nozze di Figaro, Mozart in 2017 -directed by Robert Simma – and in 2018 – directed by Daniel Foki-Also in 2018 he plays Serpetta in La Finta Giardiniera, Mozart with the Academy of the Vienna Philharmonic in several places of Austria, between them, the Musikverein of Graz (Styria) and the Mozart-Saal of the Vienna Konzerthaus.
Presence on the Opera de Tenerife:
- Carolina in. Il matrimonio segreto (Cimarosa). Debut.
Veronika Seghers / Carolina
Soprano
Born in Munich, Germany, in 1998. He studied piano from age 5 and in 2009 she started to study singing with Franziska Stürz. From 2009 to 2013 she attends acting classes at the Russian school Club Gorod and kids5kids world foundation. From 2014 to 2016 attending the University of Music Nuremberg and is awarded as the best young student by the professor Kelling. Since 2016 attending the University of Music and performing Arts Vienna as a young soprano. He has studied with teachers KS Edith Lienbacher and Bernhard Adler and is currently studying with Giacomo Prestia in the Accademia del Ridotto in Stradella (PV).
Has won first prize in the competition Jugend musiziert (2011); the international competition Karel-Kunc in the section of duo (2016) and the first Youth Prize in the International Singing Contest of Immling (2019).
He has performed as a soloist and chorister in various concerts and participates regularly in concerts in the University of Music and Dramatic Arts in Vienna, at the Theater of Schönbrunn. In 2018, participates in the Gala Lyric Theatre di Stradella in the framework of the Festival of the Ridotto. Takes over the role of Barbarina in Le nozze di Figaro, Mozart in 2017 -directed by Robert Simma – and in 2018 – directed by Daniel Foki-Also in 2018 he plays Serpetta in La Finta Giardiniera, Mozart with the Academy of the Vienna Philharmonic in several places of Austria, between them, the Musikverein of Graz (Styria) and the Mozart-Saal of the Vienna Konzerthaus.
Presence on the Opera de Tenerife:
- Carolina in. Il matrimonio segreto (Cimarosa). Debut.
Eleonora Note / Elisetta
Soprano
Born in Cattolica, Italy, in 1994. He begins his singing studies in 2015 at the Conservatory G. Rossini of Pesaro, with Valeria Esposito. He graduated with honors in 2018. Currently attends the course of two years of level II in the same conservatory with Anna Vandi Gaggiotti.
In 2018 she was selected among the participants of the master class of José Carreras at the Conservatorio Rossini and participated in its closing concert. Between 2018 and 2019, he attended the academy for soloists of opera at the Teatro Pergolesi in Jesi, inaugurated with the production Great Circus Rossini (directed by G. Costantini and A. M. Errico); here he attended numerous master classes with major singers – F. Armiliato, G. Prestia, V. Esposito-directors –S. Vizioli – and orchestra directors –B. Venezi and D. Crescenzi-. In 2020, he participated in the master class of Mariella Devia in the Academy Maria Malibran in Altidona.
He began the solo performances in 2017. In 2018, she was elected to the concerts Péchés de vieillesse, Rossini, the Conservatory G. Rossini in Pesaro and at the Conservatorio G. B. Martini in Bologna. In 2019 he made his debut with the role of Pamina in Die Zauberflöte by Mozart at the Opera house in Daegu, in South Korea, directed by Hendrik Muller and Bernard Epstein. His agenda of 2019 also includes concerts: with the saxophonist Mario Marzi; the Misa criolla Ramirez, in the church of San Giovanni Battista in Pesaro; with the orchestra of the conservatory of Pesaro, in the Teatro Rossini, directed by Luca Ferrara.
Presence on the Opera de Tenerife:
- Elisetta. in Il matrimonio segreto (Cimarosa). Debut.
Marilena Path / Elisetta
Soprano
Born in Avellino, Italy, in 1996. He studied the Diploma di maturità classica in the Liceo Classico P. Colletta Avellino, the Bachelor’s degree in classical Singing and Piano Main, both at the Conservatorio di musica D. Cimarosa Avellino. Has the certificate ECDL (2010), and attended singing lessons with Dora Doceva-Kutschi (2015 and 2017), and Maria Grazia Schiavo.
In 2017 highlights its participation as a soprano soloist in Waltz Liebeslieder OP.52, Brahms, and in the Cantata pastorale per la nascita di Nostro Signore, Scarlatti, directed by D. Ascoli, who also directed her in Ave Maria and Beatus vir F. During. In 2018, she was soprano in the Stabat Mater, Pergolesi, participated in the concert at the Palazzo Zevallos Stigliano in Naples, the Concert Rossini qua, Rossini’s the…, and in concerts for the 167 and 168 anniversary of the Founding of the State Police (2018 and 2019), in the latter with Suor Angelica, Puccini. In 2019, she participated in the Rossini Game, for the Teatro del Maggio Musicale Fiorentino. In this same opera festival participated in concerts at the Teatro di Vicchio, in the Nuovo Teatro Pacini of Fucecchio and Christmas, for Pitti Immagine Uomo, for Baker Hughes and General Electric, and his interpretation of Adina in L’elisir d’amoreby Donizetti, directed by G. Fratta, in 2020.
In addition, he has represented Serpina in La serva padrona, Pergolesi; Zerlina in Don Giovanni, by Mozart; Carolina in Il matrimonio segreto, in Cimarosa; Giulietta in I Capuleti e i Montecchi, Bellini; Gilda in Rigoletto, Verdi; Violetta Valery, in La traviata, G. Verdi.
Presence on the Opera de Tenerife:
- Elisetta. in Il matrimonio segreto (Cimarosa). Debut.
Marilena Path / Elisetta
Soprano
Born in Avellino, Italy, in 1996. He studied the Diploma di maturità classica in the Liceo Classico P. Colletta Avellino, the Bachelor’s degree in classical Singing and Piano Main, both at the Conservatorio di musica D. Cimarosa Avellino. Has the certificate ECDL (2010), and attended singing lessons with Dora Doceva-Kutschi (2015 and 2017), and Maria Grazia Schiavo.
In 2017 highlights its participation as a soprano soloist in Waltz Liebeslieder OP.52, Brahms, and in the Cantata pastorale per la nascita di Nostro Signore, Scarlatti, directed by D. Ascoli, who also directed her in Ave Maria and Beatus vir F. During. In 2018, she was soprano in the Stabat Mater, Pergolesi, participated in the concert at the Palazzo Zevallos Stigliano in Naples, the Concert Rossini qua, Rossini’s the…, and in concerts for the 167 and 168 anniversary of the Founding of the State Police (2018 and 2019), in the latter with Suor Angelica, Puccini. In 2019, she participated in the Rossini Game, for the Teatro del Maggio Musicale Fiorentino. In this same opera festival participated in concerts at the Teatro di Vicchio, in the Nuovo Teatro Pacini of Fucecchio and Christmas, for Pitti Immagine Uomo, for Baker Hughes and General Electric, and his interpretation of Adina in L’elisir d’amoreby Donizetti, directed by G. Fratta, in 2020.
In addition, he has represented Serpina in La serva padrona, Pergolesi; Zerlina in Don Giovanni, by Mozart; Carolina in Il matrimonio segreto, in Cimarosa; Giulietta in I Capuleti e i Montecchi, Bellini; Gilda in Rigoletto, Verdi; Violetta Valery, in La traviata, G. Verdi.
Presence on the Opera de Tenerife:
- Elisetta. in Il matrimonio segreto (Cimarosa). Debut.
Claire Gascoin / Fidalma
Mezzo-soprano
Born in Paris, France, in 1993. He studied the Degree of Voice-Opera at the University of Music and Theatre Mendelssohn Bartholdy, Leipzig, and a Master of Opera and Erasmus in the University of Music and Performing Arts Vienna (2017). He has studied singing with Claudia Visca, Roland Schubert, Alexander Schmalcz, Joëlle Bouffa and Michael Schade and has attended master classes with Susanna Eken and Krassimira Stoyanova.
He won the award Kammeroper Rheinsberg (Germany, 2015) and the award for the best interpretation of popular songs in the International Johannes Brahms Competition in Pörtschach (Austria, 2014). He has worked for directors such as A. Fogliani, C. Rousset, L. Acocella, C.-U. Meier, M. Foremny, S. Fuget, C. von Kerssenbrock, and T. Engel, as well as the conductors of the orchestra, J. Schönleber, S. Achache, J., Bonas, H. Malkowsky, L. Prinsloo, M. Oldag, M. Schüler, and R. Simma.
She has played the roles of Ottone in Lincoronazione di Poppea, Monteverdi; Wu Tianshi, in Kommilitonen! Davies; Aschenputtel, in Aschenputtel räumt auf, Rossini; Carmen, Carmen, by Bizet; all the papers of mezzo in Eteocle e Polynice, of Legrenzi, also in Le nozze in Sogno, of Cesti; Testo, in Il combattimento di Tancredi & Clorinda, Monteverdi; Hansel in Hansel & Gretel, with Humperdinck; Prince Charmant in Cendrillon, Massenet ‘ s and Annina in Romilda e Costanza, of Meyerbeer, among others.
Between the concerts in which he has participated in include: 9th Symphony of Beethoven Magnificat/Weihnachtsoratorium, Bach; Johannespassion, Bach; 2nd Symphony, Mahler; Miserere, of Hasse; Krönungsmesse, Mozart, and Requiem, of Duruflé.
Presence on the Opera de Tenerife:
- Fidalma. in Il matrimonio segreto (Cimarosa). Debut.
Mara Gaudenzi / Fidalma
Mezzo-soprano
Born in Cattolica, Italy, in 1993. He graduated from the Liceo classico of Rimini in 2012. He graduated in Classical Literature at the University of Bologna. He studied classical singing at the Conservatory B. Maderna of Cesena and obtained a first level heading. Pursuing a master’s degree at the Conservatory G. Rossini in Pesaro under the guidance of Agata Bienkowska and perfects your repertoire in master classes with Sara Mingardo, Alfonso Antoniozzi, Claudio Desderi, Bruno de Simone, Alessandra Rossi and Enrico Stinchelli; to the repertoire of Lieder with the teachers Guido Malferrari and Guido Baher.
He has excelled in international competitions: third prize in the Luigi Zanuccoli; finalist of the XLVIII edition of the Toti Dal Monte in Treviso and winning a merit scholarship as best Italian artist; winner of the prize for the best interpretation of an aria from a composer of calabria in the San Francesco di Paola, and was a finalist in the opera Santa Gianna Berretta Molla.
It has taken over the role of Orfeo in Orfeo ed Euridice, Gluck; Doralba, in Limpresario in get distressed, in Cimarosa; Doratea, inLe convenienze ed inconvenienze teatrali by Donizetti; Cherubino in Le nozze di Figaro, Mozart; Serafina, in Il campanello and Camilla, in Il giovedi grasso, both of Donizetti, and Flora in La traviata, Verdi.
He has participated in concerts and opera festivals. He has been a soloist in the Missa in Angustiis Nelson Mass, Haydn; Requiem of Mozart, as alto soloist; with the role of Dorabella in Così fan tutte, Mozart, at the Fondazione Lirica della Marche, among other actions.
Presence on the Opera de Tenerife:
- Fidalma. in Il matrimonio segreto (Cimarosa). Debut.
Mara Gaudenzi / Fidalma
Mezzo-soprano
Born in Cattolica, Italy, in 1993. He graduated from the Liceo classico of Rimini in 2012. He graduated in Classical Literature at the University of Bologna. He studied classical singing at the Conservatory B. Maderna of Cesena and obtained a first level heading. Pursuing a master’s degree at the Conservatory G. Rossini in Pesaro under the guidance of Agata Bienkowska and perfects your repertoire in master classes with Sara Mingardo, Alfonso Antoniozzi, Claudio Desderi, Bruno de Simone, Alessandra Rossi and Enrico Stinchelli; to the repertoire of Lieder with the teachers Guido Malferrari and Guido Baher.
He has excelled in international competitions: third prize in the Luigi Zanuccoli; finalist of the XLVIII edition of the Toti Dal Monte in Treviso and winning a merit scholarship as best Italian artist; winner of the prize for the best interpretation of an aria from a composer of calabria in the San Francesco di Paola, and was a finalist in the opera Santa Gianna Berretta Molla.
It has taken over the role of Orfeo in Orfeo ed Euridice, Gluck; Doralba, in Limpresario in get distressed, in Cimarosa; Doratea, inLe convenienze ed inconvenienze teatrali by Donizetti; Cherubino in Le nozze di Figaro, Mozart; Serafina, in Il campanello and Camilla, in Il giovedi grasso, both of Donizetti, and Flora in La traviata, Verdi.
He has participated in concerts and opera festivals. He has been a soloist in the Missa in Angustiis Nelson Mass, Haydn; Requiem of Mozart, as alto soloist; with the role of Dorabella in Così fan tutte, Mozart, at the Fondazione Lirica della Marche, among other actions.
Presence on the Opera de Tenerife:
- Fidalma. in Il matrimonio segreto (Cimarosa). Debut.
Bekir Serbest / Paolino
Tenor
Born in Izmir, Turkey, in 1989. He studied viola and piano at the School of Fine Arts Isilay Saygin and, just after high school, he continued his studies in the Department of Vocalization of the State Conservatory of the University of Dokuz Eylul , Izmir in 2013.
During his studies he attended master classes with major artists such as Rockwell Blake, Raina Kabaivanska, Alessandro Corbelli, Nelly Miricioiu, Raúl Giménez, Manuela Custer or the director and composer Turkish Selman Ada.
Since 2013 she has played roles such as that of Ernesto in Don Pasquale by Donizetti; Guido, in Enrico di Borgogna, of Donizetti; the Count of Almaviva in Il barbiere di Siviglia, Rossini; Lindoro in ll’italiana in Algeri, Rossini; Belmonte in Die Entführung aus dem Serail, Mozart; Roderigo in Otello, Verdi; Camille, in Die lustige Witwe, of Lehar; Cyclamen, in Cin-Ci-La, Lombardo and Ranzato. He has also performed as a soloist in the oratorio Messiah, Handel; Magnificat, Bach; Requiem, Mozart and Petite messe solennelle, Rossini.
He has collaborated with directors such as Andrés Orozco-Estrada, Keri-Lynn Wilson, Hansjörg Albrecht, Juraj Valčuha, Tan Dun, Helmuth Rilling, Peter Ruzicka, Herbert Blomstedt, Christian Arming, Jaap van Zweden, Guido Maria Guida, James Conlon and Marco Alibrando.
Lives in Turin, Italy, since 2014, and continues his studies with mezzo-soprano Manuela Custer and the pianist Diego Mingolla.
Presence on the Opera de Tenerife:
- Paolino. in Il matrimonio segreto (Cimarosa). Debut.
Antonio Mandrillo / Paolino
Tenor
Born in Milan, Italy, in 1996. He began to study singing at the age of 19 at the Conservatory Arrigo Boito in Parma, with excellent results. He began his training with Ercole Daleo with the still receives classes of vocal development. He has worked with other teachers: as F. M. Sardelli, R. Frontali, D. Barcellona, A. Vitiello, P. Abber, F. Facini, L. Shambadal, E. Zewdberg, M., Galeati, P. Ballo, D. Lemmo, E., Mei, F. Meli, V. Scalera, E. Fiorillo, and L. Salsi.
She won the first prize in the national Competition Voce dangelo Parma. Other awards are: first place, special award Giovani promesse and award segnalazione of the Royal Opera house of Muscat, in the IV International Competition Rizzardo Bino of Brescia; best tenor, offered by the Foundation Luciano Pavarotti in the Contest, Paolo and Etta Limiti Milan.
In her career highlights include performances for Club dei 27 (Parma), Corale G. Verdi, Corale Tebaldi, associations Parma Lirica and Amici della musica di Carrara, among others. She has played the roles of the Duke of Mantua in Rigoletto by Verdi; Rinuccio in Gianni Schicchi, Puccini; Ernesto, in Don Pasqualeby Donizetti; lincredibile e l abate, in Andrea Chénier, Giordano; Pang in Turandot, Puccini, and Tamino in Die Zauberflöte, Mozart.
Stands out as a tenor soloist in the Stabat Mater, Rossini, at the Conservatorio A. Boito (Parma, 2018), in addition to starring performances in the 44th Festival della Valle dItria (Martina Franca). He participated in the concert International Award Giuseppe Di Stefano, in Taormina, and at the festival Dellopera at the Teatro Grande in Brescia and in the Donizetti Night of the foundation Gaetano Donizetti of Bergamo (2019).
Presence on the Opera de Tenerife:
- Paolino. Il matrimonio segreto (Cimarosa). Debut.
Antonio Mandrillo / Paolino
Tenor
Born in Milan, Italy, in 1996. He began to study singing at the age of 19 at the Conservatory Arrigo Boito in Parma, with excellent results. He began his training with Ercole Daleo with the still receives classes of vocal development. He has worked with other teachers: as F. M. Sardelli, R. Frontali, D. Barcellona, A. Vitiello, P. Abber, F. Facini, L. Shambadal, E. Zewdberg, M., Galeati, P. Ballo, D. Lemmo, E., Mei, F. Meli, V. Scalera, E. Fiorillo, and L. Salsi.
She won the first prize in the national Competition Voce dangelo Parma. Other awards are: first place, special award Giovani promesse and award segnalazione of the Royal Opera house of Muscat, in the IV International Competition Rizzardo Bino of Brescia; best tenor, offered by the Foundation Luciano Pavarotti in the Contest, Paolo and Etta Limiti Milan.
In her career highlights include performances for Club dei 27 (Parma), Corale G. Verdi, Corale Tebaldi, associations Parma Lirica and Amici della musica di Carrara, among others. She has played the roles of the Duke of Mantua in Rigoletto by Verdi; Rinuccio in Gianni Schicchi, Puccini; Ernesto, in Don Pasqualeby Donizetti; lincredibile e l abate, in Andrea Chénier, Giordano; Pang in Turandot, Puccini, and Tamino in Die Zauberflöte, Mozart.
Stands out as a tenor soloist in the Stabat Mater, Rossini, at the Conservatorio A. Boito (Parma, 2018), in addition to starring performances in the 44th Festival della Valle dItria (Martina Franca). He participated in the concert International Award Giuseppe Di Stefano, in Taormina, and at the festival Dellopera at the Teatro Grande in Brescia and in the Donizetti Night of the foundation Gaetano Donizetti of Bergamo (2019).
Presence on the Opera de Tenerife:
- Paolino. Il matrimonio segreto (Cimarosa). Debut.
Ramiro Maturana / Earl Robinson
Baritone
Born in Buenos Aires, Argentina, in 1990. Degree in Interpretation and Teaching of music, majoring in choral conducting and Singing from the University of Talca, Chile. He has studied with Rodrigo Navarrete and Luciana D ‘ Intino. In 2013 he received the National Scholarship from the Corporation of Friends of the Municipal Theater.
Since 2013, he has participated as a soloist in Il barbiere di Siviglia (Rossini); La traviata (Verdi); Roméo et Juliette (Gounod); L’elisir d’amore (Donizetti); Lakmé (Delibes) and Rusalka (Dvořák), all productions of the Opera National of Chile. Has also been interpreted to Don Giovanni in Don Giovanni (Mozart); Dancairo in Carmen (Bizet); Falke, in The bat (Johann Strauss son); in addition Papageno in Die Zauberflöte (Mozart) and the Comte D Almaviva in Le nozze di Figaro (Mozart). At the Teatro alla Scala of Milan, accounted for Il barbiere di Siviglia (Rossini); L’elisir d’amore; Ariadne auf Naxos (Richard Strauss), Prima la musica e poi le parole(Salieri); Gianni Schicchi (Puccini) and Rigoletto (Verdi).
As a soloist and has performed in concerts and recitals at the Teatro alla Scala, Milan, New York Carnegie Hall, the National Opera Center (New York), National Opera of Chile and Theatre by the Lake (Chile). He debuted in the season of the Symphony Orchestra of Chile in The Passion according to St. John of Bach, also a soloist in the 9th Symphony (Beethoven); Carmina Burana (Carl Orff); War Requiem(Britten), among others.
Integrates the Accademia del Teatro alla Scala of Milan since 2017. That year he made his debut at Teatro alla Scala in the world premiere of the opera Ti I sell, ti sento, mi perdo, Salvatore Sciarrino. Among his upcoming commitments are L empio punito (Melani), at the Innsbrucker Festwochen der Alten Musik in Innsbruck, Austria, and La bohème (Puccini), next to Les Voix Concertante and Croesus in the title role in Paris.
Presence on the Opera de Tenerife:
- Earl Robinson. Il matrimonio segreto (Cimarosa). Debut.
Jan Antem / Earl Robinson
Baritone
Born in Barcelona, Spain, in 1998. In 2019, he studied a master’s degree in Opera performance at the Conservatory of the Liceu, the seminar Accademia Rossiniana Alberto Zedda at the Rossini Opera Festival and at the Escola d’òpera de Sabadell on AAOS (Barcelona). In 2020 he expanded his training with the Accademia del Belcanto Rodolfo Celletti at the Festival della Valle dd’itria in Martina Franca. She speaks Spanish, Italian, English and Catalan.
It was the winner of the Contest Mirna Lacambra in 2019, with the role of Dandini in La Cenerentola (Rossini), the Opera house in Catalonia, and also winner of the 71st Concorso AsLiCo per Voci Emergenti of the Opera Lombardia-Teatro Sociale di como in 2020.
Among his teachers of singing are found Luca Salsi and Davide Luciano, with which it continues today, as well as Carlos Chausson, Mariella Devia and Ernesto Palacio, among others. He has also had as coaches gather together to Elisa Cerri, Beatrice Benzi, Rodrigo Vera, Marta Pujol, Rubén Sánchez-Vieco, and Carmen Santoro.
He has worked with stage directors such as F. Cherstich, P. Azorín, G. Vick, Y. das Irmich or E. Courir and musical directors such as N. Nägele, D. Gil de Tejada and D. Matheuz.
He has played Marullo in Rigoletto (Verdi); Dulcamara in L’elisir d’amore (Donizetti); Dandini in La Cenerentola (Rossini); Don Alvaro in Il viaggio a Reims (Rossini); Batone in Linganno felice (Rossini). Expected to premiere in 2021, the role of Don Parmenione inLoccasione fa il faucet (Rossini), in the Òpera de Cambra de Barcelona.
Presence on the Opera de Tenerife:
- Earl Robinson. Il matrimonio segreto (Cimarosa). Debut.
Jan Antem / Earl Robinson
Baritone
Born in Barcelona, Spain, in 1998. In 2019, he studied a master’s degree in Opera performance at the Conservatory of the Liceu, the seminar Accademia Rossiniana Alberto Zedda at the Rossini Opera Festival and at the Escola d’òpera de Sabadell on AAOS (Barcelona). In 2020 he expanded his training with the Accademia del Belcanto Rodolfo Celletti at the Festival della Valle dd’itria in Martina Franca. She speaks Spanish, Italian, English and Catalan.
It was the winner of the Contest Mirna Lacambra in 2019, with the role of Dandini in La Cenerentola (Rossini), the Opera house in Catalonia, and also winner of the 71st Concorso AsLiCo per Voci Emergenti of the Opera Lombardia-Teatro Sociale di como in 2020.
Among his teachers of singing are found Luca Salsi and Davide Luciano, with which it continues today, as well as Carlos Chausson, Mariella Devia and Ernesto Palacio, among others. He has also had as coaches gather together to Elisa Cerri, Beatrice Benzi, Rodrigo Vera, Marta Pujol, Rubén Sánchez-Vieco, and Carmen Santoro.
He has worked with stage directors such as F. Cherstich, P. Azorín, G. Vick, Y. das Irmich or E. Courir and musical directors such as N. Nägele, D. Gil de Tejada and D. Matheuz.
He has played Marullo in Rigoletto (Verdi); Dulcamara in L’elisir d’amore (Donizetti); Dandini in La Cenerentola (Rossini); Don Alvaro in Il viaggio a Reims (Rossini); Batone in Linganno felice (Rossini). Expected to premiere in 2021, the role of Don Parmenione inLoccasione fa il faucet (Rossini), in the Òpera de Cambra de Barcelona.
Presence on the Opera de Tenerife:
- Earl Robinson. Il matrimonio segreto (Cimarosa). Debut.
Francesco Leone / Geronimo
Under
Born in Cagliari, Italy, in 1994. He began his musical studies at the Conservatory of Music of Giovanni Pierluigi da Palestrina, his hometown, with Luigi Attademo for the course of classical guitar and with Elisabetta Scano graduated with honors in singing opera. He completed his training with francis Piccoli, Luciana Serra and Bernadette Manca di Nissa.
She has played the roles of Alcindoro in La bohème (Puccini); the Old gypsy and Trovatore, in Il trovatore (Verdi); Conte di Ceprano in Rigoletto (Verdi); Antonio in Le nozze di Figaro (Mozart); Uberto, in Serva padrona (Paisiello); Dr. di Grenvil in La traviata(Verdi). Tartaglia, in Turandot (Busoni); Haly in Ll’italiana in Algeri and Norton in The cambiale di marriage (both of Rossini);Colline in La bohème (Puccini); un uomo della Cappadocia, in Salome (Strauss); Masetto in Don Giovanni (Mozart); Nonacourt, in Il cappello di paglia di Firenze (Rota) and Ferrando in the Ente Concerti Marialisa de Carolis in Sassari.
Recently performed the Stabat Mater of Rossini in Lugano and Zurich and has also been a soloist in the Petite messe solennelle (Rossini). You plan to re-sing the Petite messe solennelle in Switzerland, you will be Measuring and cover of Banquo in Macbeth (Verdi, in the French version, 1865) at the Festival Verdi, the Teatro Regio in Parma. Also will return to sing in Salome, will be Dottore in La traviata at the Teatro San Carlo of Naples and returns to the Teatro Bellini of Catania to interpret the role of Colline in La bohème.
Presence on the Opera de Tenerife:
- Geronimo. in Il matrimonio segreto (Cimarosa). Debut.
Ignas Melnikas / Geronimo
Low
was Born in Lithuania in 1993. He studied the bachelor’s degree in classical singing and a master’s degree of specialization in the same field at the Lithuanian Academy of Music and Theatre, formations, which ended in 2018. Has great skills to play the piano and for the sight-reading of music. In 2019 she was a recipient of the Memorial Scholarship Elizabeth Luxton.
He has attended master classes with teachers such as Alessandro Cobelli, David Wakeham, Ricardo Tamura, Giuseppe Sabbatini and Paul Farrington, as well as vocal studies with the master Anatoli Goussev.
Between 2016 and 2017, and formed part of the concert tour of the string quartet Ciurlionis, in Lithuania. In 2017 he participated in Lopera romantica Italian, at the Teatro Sant’andrea in Milan, and in Reverence for music, in the Vilnius Picture Gallery in Lithuania.
In 2018 she played Falstaff in Falstaff, Verdi, in the Hall National Philharmonic of Lithuania. In 2019, to Figaro in Le nozze di Figaro, by Mozart, in the Festival of Berlin Opera house and the Carriage in the same opera, at the Lithuanian Academy of Music and Theatre. In 2020 played Belcore in L’elisir d’amoreby Donizetti, Opera Zuid in the Netherlands.
Presence on the Opera de Tenerife:
- Geronimo. in Il matrimonio segreto (Cimarosa). Debut.
Ignas Melnikas / Geronimo
Low
was Born in Lithuania in 1993. He studied the bachelor’s degree in classical singing and a master’s degree of specialization in the same field at the Lithuanian Academy of Music and Theatre, formations, which ended in 2018. Has great skills to play the piano and for the sight-reading of music. In 2019 she was a recipient of the Memorial Scholarship Elizabeth Luxton.
He has attended master classes with teachers such as Alessandro Cobelli, David Wakeham, Ricardo Tamura, Giuseppe Sabbatini and Paul Farrington, as well as vocal studies with the master Anatoli Goussev.
Between 2016 and 2017, and formed part of the concert tour of the string quartet Ciurlionis, in Lithuania. In 2017 he participated in Lopera romantica Italian, at the Teatro Sant’andrea in Milan, and in Reverence for music, in the Vilnius Picture Gallery in Lithuania.
In 2018 she played Falstaff in Falstaff, Verdi, in the Hall National Philharmonic of Lithuania. In 2019, to Figaro in Le nozze di Figaro, by Mozart, in the Festival of Berlin Opera house and the Carriage in the same opera, at the Lithuanian Academy of Music and Theatre. In 2020 played Belcore in L’elisir d’amoreby Donizetti, Opera Zuid in the Netherlands.
Presence on the Opera de Tenerife:
- Geronimo. in Il matrimonio segreto (Cimarosa). Debut.
Producción: Il matrimonio segreto
Dramma giocoso in two acts, with music by composer Domenico Cimarosa and libretto in Italian Giovanni Bertati
for The opera is based on the play
The Clandestine Marriage of George Colman the Elder and David Garrick.
Tab artistic
artistic Director of Opera (e)Studio: Giulio Zappa
music director: Davide Levi
Direction of scene: Roberto Catalano
Scenery: Emanuele Sinisi
costume Design: Ilaria Ariemme
Orchestra, Symphonic Orchestra of Tenerife
Cast
Thursday and Saturday
Carolina: Giula Mazzola, soprano
Elisetta: Eleonora Note, soprano
Fidalma: Claire Gascoin, the mezzo-soprano
Pauline: Bekir Serbest, tenor
Earl Robinson: Ramiro Maturana, baritone
Geronimo: Francesco Leone, under
Friday and Sunday in
Carolina: Veronika Seghers, soprano
Elisetta: Marilena Route, soprano
Fidalma: Mara Gaudenzi, the mezzo-soprano
Pauline: Antonio Mandrillo, tenor
Earl Robinson: Jan Antem, baritone
Geronimo: Ignas Melnikas, under
Gallery
Cast Thursday and Saturday
Cast Friday, and Sunday
Videos
Así es 'Il matrimonio segreto' de Ópera de Tenerife
Entrevista a Fiammetta Baldisierre en Ópera de Tenerife
Entrevista a Emanuele Sinis en Ópera de Tenerife
'Il matrimonio segreto' de Ópera de Tenerife (ensayos)
Entrevista Ilaria Ariemme en Ópera de Tenerife
'Il matrimonio segreto', de Ópera de Tenerife
Entrevista Davide Levi en Ópera de Tenerife
Entrevista Roberto Catalano en Ópera de Tenerife
Trabajos en la escenografía de 'Il matrimonio segreto' de Ópera de Tenerife
Giulio Zappa, director de Opera (e)Studio, habla sobre la octava edición