2016 Don Pasquale

Integrated into Ópera de Tenerife, is a project aimed at young professionals who do not have even the trajectory, and experience the scenic enough. After a selection of singers at the local, national and international, working for a month musical aspects and dramatic, to put in place a title of the opera within the opera season of the Auditorio de Tenerife. Opera (e)Studio born of the desire to fill the empty space on the left the young artists when they have finished their period of training top and have to make a debut on a stage.

Giulio Zappa as artistic and musical director of the project, Stefania Bonfadelli in the stage direction and an extensive team of professionals have prepared to the selected in all those aspects necessary to meet a good representation operatic according to mark the current canon european: a technique of musical interpretation and scenic, style, direction, body expression, nature theater of the role, the historical context of the composition, the drama, the study of the libretto, etc, which culminates in the production of Don Pasquale of Donizetti, with the Symphony Orchestra of Tenerife and which is included within the season of the Opera de Tenerife, thus ensuring direct contact with the reality of the theatre.

Participants 2016

Eugenio di Lieto / Don Pasquale

Under

[Italia]

Daniele Terenzi / Malatesta

Bass-baritone

[Italia]

Daniele Terenzi / Malatesta

Bass-baritone

[Italia]

Emmanuel Faraldo / Ernesto

Tenor

[Argentina]

Olena Sloia / Norina

Soprano

[Rusia]

Olena Sloia / Norina

Soprano

[Rusia]

Giorgio Celenza / Don Pasquale

Bass-baritone

[Italia]

Oganes Avakyan / Malatesta

Bass-baritone

[Ucrania]

Oganes Avakyan / Malatesta

Bass-baritone

[Ucrania]

Paul Martinez / Ernesto

Tenor

[Colombia]

Glory Giurgola / Norina

Soprano

[Italia]

Glory Giurgola / Norina

Soprano

[Italia]

Production: Don Pasquale

Of the three great comic operas of the repertoire belcantista (Il barbiere di Siviglia, L’elisir d’amore and Don Pasquale), the last two are signed by the same hand: Gaetano Donizetti. Between L’elisir d’amore and Don Pasquale takes more than a decade in the NINETEENTH century no less agitated than the XX in terms of revolutions, political and artistic. So, Don Pasquale comes almost to be the last opera of a genre, the ‘opera buffa’, that is going to be replaced in the public’s preference for the tragedies or dramas with highest aspirations. Suffice it to recall that Wagner premiered in Dresden Dutch wandering one day before Donizetti estrenase his Don Pasquale in Paris. The emergence of the romantic drama in the land of the opera is going to be terminated by the idea hedonistic of this show as mere entertainment or social event. However, at the beginning of January, 1843 could still enjoy without moral concerns, ideology or of a pleasant musical evening in the company of excellent actors and singers. Don Pasquale, tells us of the plot between the young and smiling Norina and her beloved Ernesto, to get the uncle of this, Don Pasquale, leaving their hopes of marriage.